Director James Gray analyzes his own family in his autobiographical drama Armageddon Time, set during his childhood in a pre-Reagan New York City


Armageddon Time isn’t the first drama in recent memory where a filmmaker reckoned with a formative time in their childhood. But many don’t feel as immediately relevant — perhaps a little too on the nose — as James Gray’s exploration of his “liberal” family’s navigation of a pre-Reagan America in New York City. While presenting itself as a fun childhood romp through the dawn of the 1980s, it quickly turns into a biting indictment of privilege, generational racism, and the white-washing of the American dream.

Full review coming soon.
ADVERTISEMENT
More movies, less problems
- Romantic sci-fi thriller ‘The Gorge’ hits its mark | movie reivew
- A Love Note to Fire of Love
- ‘Love Hurts’ is mostly hurt | movie review
Hey! I’m Karl. You can find me on Twitter and Letterboxd. I’m also a Tomatometer-approved critic.
💌 Sign up for our weekly email newsletter with movie recommendations available to stream.
ADVERTISEMENT
Hey, I'm Karl, founder and film critic at Smash Cut. I started Smash Cut in 2014 to share my love of movies and give a perspective I haven't yet seen represented. I'm also an editor at The New York Times, a Rotten Tomatoes-approved critic, and a member of the Online Film Critics Society.