Donald Wagenblast

  • Thirty Seconds to Sell —Grading every Super Bowl movie trailer

    Thirty Seconds to Sell —Grading every Super Bowl movie trailer

    The Super Bowl is often a launching pad for trailers for some of the biggest movies of the year — here’s what we thought

    The NFL has produced some high-quality drama, and a few high-quality movies, over the 100 years of its existence. The league’s championship game, the Super Bowl, has warped into something that represents not just the greatest team in the league, but also the current cultural climate. Ads featuring appearances from Post Malone, Maisie Williams, and countless other celebrities were aired throughout the game. We also got our fair share of promotion for programming on Fox, the game’s broadcasting home for this year, and a few political ads that highlighted the tumult leading up to the 2020 election. 

    Most importantly, though, fans were able to tune in and catch a glimpse of a few upcoming blockbusters headed to movie theaters in the coming months. Super Bowl ads were going for a rate of about $5 million for a 30-second ad, so it’s fair to wonder if these studios spent their money wisely. Which trailers were a great tool in building hype for their respective films, and which left us with more lingering questions? Let’s run them all down and give out some grades! 

    Fast 9

    Grade: A

    In order to justify this grade, I’m going to rope in the “event” that the Fast Franchise set up for the trailer premiere as part of this promotion. The studio booked an entire freaking concert, and an hour-long live stream to boot, just to show an over-bloated 4-minute trailer. Then, they show a few more scenes in the Super Bowl ad, as if what the world really needs is Vin Diesel grumbling about family even more. This franchise is now on its tenth film (for reference, there were only 3 Godfather movies), and if they’re going to drive this thing into the ground, they need to pull off publicity stunts as big as the stunts performed by the stunt drivers–er, CGI– in the cars on screen. They did just that and earned the highest grade here.

     Black Widow

    Grade: C-

    Black Widow’s solo movie is coming out in May. That’s about all the trailer that aired Sunday wanted to reveal, but at this point, we need a little more to justify this entry into the MCU. The trailer starts off with Scarlett Johansson’s titular character saying “You don’t know everything about me.” I get that the line is supposed to add intrigue to the film’s plot, but when a character who’s played a pivotal role in nearly half of the 22 films in a franchise, the idea that we still don’t know everything there is to know about the character seems a little over-dramatic. I’m sure there will be some sort of Easter egg that will give us a peek into what the next phase of Marvel’s ever-evolving series will be like, I’m still left wondering why this movie is being made, and I was hoping that a trailer would fix that. 

    Mulan

    Mulan: A+ 

    If there’s a perfect way to do this, Mulan had it on Sunday. The Super Bowl trailer clued a great deal of people into what a live-action Mulan film is going to look like, and why it’s going to work. The ad was also used in conjuction with the film’s final trailer being released, which allowed fans who were hyped on the mini-clip to see a fully fleshed-out sizzle reel of what’s coming. With such craft and care is taken in the promotion of the film, I’m starting to hold the belief that Mulan has a chance to be the very best of this series of Disney remakes. 

    Spongebob: Sponge On the Run

    Grade: B+

    I mean, why not at this point, right? Despite the promise of a Keanu Reeves cameo, I have little to no interest in seeing this movie, and I’m decades older than its target demographic. But seeing it allowed my friends and I to reminisce on all the great Spongebob episodes, while the children who were watching got to beg their parents to go see the movie this summer. If a trailer is a win for the kids and the kids at heart, it’s a winner in my book. 

    Sonic the Hedgehog

    Grade: C

    I wanted to give this trailer my only failing grade for this exercise, but seeing Jim Carrey going full-tilt for his portrayal of Doctor Robotnik is probably going to be enough to see this movie. Sadly, the trailer spends most of its time on a joke set up by other “fast” athletes (like NFL stars Michael Thomas and Christian McCaffrey), but once the joke predictably falls flat, there’s about 10 seconds of movie footage to digest afterwards. Thankfully, Carrey’s final scene was somewhat interesting enough to make this somewhat memorable. 

    007: No Time to Die

    Grade: B-

    We got pretty much the shortened version of the trailer here, save for a fun scene showing off the rivalry between Daniel Craig’s James Bond and Lashanna Lynch’s yet-to-be-named 00-agent, and a random line from Rami Malek’s scar-faced villain. A lot of the scenes were ripped right from the film’s first trailer, with a few quick cuts of the actors who appear to be major players in the film, but there’s not much to discuss that hasn’t been already. We’re moving on.

    Top Gun: Maverick

    Grade: B-

    I have no idea why this movie was made, or what it’s going to be about. I know that Tom Cruise is reprising his role as a rogue pilot, but beyond that, I can’t tell what this film is dealing with, besides cool plane stuff. At least we got a good chunk of that here. 

    A Quiet Place, Part II

    Grade: A-

    A Quiet Place was such a great movie, wasn’t it? While most blockbusters are focused on big loud explosions, this film thrived in silence and created such an affecting narrative. The sequel from Director John Krasinski is due out now, and so far, both trailers have shown both Krasinski’s and Emily Blunt’s characters, and how they experienced contact with the monsters on the first day of the invasion. This time, we saw things from Krasinki’s side, and his appearance in this movie is a welcomed surprise. It appears that from everything we’ve seen from this film so far that we’ll be getting a healthy dose of backstory as to how this world came to be, which creates a great sense of intrigue for this film. 

    The Invisible Man

    Grade: C+

    I mean, whatever, you know? There’s a new Invisible Man movie, it looks spooky, Elisabeth Moss looks like she’s acting her ass off in it, there’s not much left to do to sell me. We get a slight glimpse into the relationship that goes awry, kick-starting the plot of the film, at the beginning of the trailer, which ends up being the only new footage we see here.


    The Super Bowl ads seemed to be a little below-par this year, which I think highlights an underlying theme that there’s just not that many blockbusters that are going to have the billion-dollar box office impact that so many films did last year. If I had to bet money on it, I’d imagine that Minions would be my pick to lead 2020 in total gross at the box office, and I won’t comment on that any further. But in this state of uncertainty, it offered an opportunity for thoughtful horror films like A Quiet Place – Part II and The Invisible Man to step into the spotlight, a nice alternative from ther superhero-dominated Super Bowl we had last year.

    Donald Wagenblast isn’t fooling anyone; he’ll be seeing all of the movies mentioned above the week they come out in theaters, regardless of how effective their trailers were. He can be reached on Twitter @whysoserious.

  • What's next? Who should direct 'Doctor Strange: Multiverse of Madness'

    What's next? Who should direct 'Doctor Strange: Multiverse of Madness'

    With Doctor Strange director Scott Derrickson out for the sequel, we throw out our suggestions for who should replace him

    Doctor Strange was one of the most visually stunning episodes in the decade-long run of the Marvel Cinematic Universe. It’s also one of its most inessential. There’s nothing you learn about the titular character in his solo introduction to the series that can’t be learned in the character’s cameo in Thor: Ragnarok or the first fifteen minutes of Avengers: Infinity War, and unless you’re dying to see Chiwetel Ejiofor’s inevitable ally-turned-nemesis Baron Mordo, there’s not much to take away from the 2015 film aside from the aforementioned visuals.

    It was director Scott Derrickson who was able to take those visuals from concept to screen, and many had shown excitement about the director’s return for the sequel, which was announced at Kevin Feige’s mic-drop moment at 2019’s San Diego Comic-Con. Feige outlined the next 4-5 years of films and shows on Disney+, and the newly-minted Doctor Strange in the Multiverse of Madness was one of the most-discussed announcements in the recap videos released throughout the YouTube community in the following days.

    With the multiverse teased — and eventually revealed as a red herring — in Spider-Man: Far From Home, fans had already begun their rampant theorizing about what effects a multiverse could have on the MCU. Dr. Strange seemed to be the perfect bridge between the two, and with the announcement that Elizabeth Olsen’s Scarlet Witch (okay, fine, Wanda Maximoff) will be appearing alongside Benedict Cumberbatch’s protagonist, it was clear that Marvel is pushing its chips to the center of the table, hoping Multiverse of Madness will do for Dr. Strange what The Winter Soldier and Ragnarok did for Captain America and Thor, respectively. 

    Derrickson joined Feige, Olsen, and Cumberbatch on stage in San Diego last summer, where the creators and actors showed their shared enthusiasm for what was dubbed the “first horror film” in the MCU’s history. Given the director’s pedigree and experience in the genre, it seemed like this was going to be another slam-dunk entry in the MCU, with the promise of the multiverse providing limitless potential for where the film could go. 

    https://twitter.com/scottderrickson/status/1215428331450953728?s=20

    Well, it seems like a few limits have been reached, or at least set forth by the powers that be within Marvel, as Derrickson took to Twitter this past week to announce he’d no longer be directing the film, slated for release in 2021. Citing creative differences, Derrickson will still be involved as an executive producer, though the extent of his influence will remain to be seen. With so much invested in the film, both in star power and in potential, the obvious question needs to be asked: what now? Below, you’ll find a few suggestions for directors who may be able to take this setback as an opportunity to advance the MCU in a new, exciting direction. 

    Ari Aster

    If there’s anyone who’s more interesting in horror right now than Ari Aster, I’d love to see how their last two films match up to Aster’s debut couplet of Hereditary and Midsommar. Aster has been able to create real terror in both films, the kind that will benefit a skilled acting group like the one Multiverse has assembled.

    Aster has also directed Toni Colette and Florence Pugh to Oscar nomination-worthy portrayals of the lead actress in crisis, which would greatly benefit Olsen. Olsen will have completed her character’s Disney+ show WandaVision, which has been heavily implied to lead directly into the second installment of the Dr. Strange series, so if that show ends with something happening to Vision (again), Aster would have a lot of trauma to sort through with Wanda, setting Olsen up for a potential behemoth of a performance. 

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    Robert Eggers

    Perhaps just a step below Aster in terms of buzz right now, Robert Eggers has established himself as another creative force in horror, thanks to the spectacularly eerie The Witch and absolutely bonkers The Lighthouse. Eggers’s flair for the supernatural would make him an asset for Marvel in Multiverse, and he’s proven that he can take several creative risks in his storytelling and still pull great performances out of his actors in the process. Seeing Chiwetel Ejiofor reprise his role as Mordo and take on the full-blown-psycho role like Willem Dafoe did in The Lighthouse would be a jolt to the MCU, who’ve always struggled in creating interesting villains. 

    Jordan Peele

    While Aster and Eggers are the indie darlings of horror right now, the genre is operating within Jordan Peele’s grasp. I’d give this about a 1% chance of actually happening, seeing as Peele’s passion for telling stories in his way will likely veer from Marvel’s path too much, but Peele’s involvement with CBS All Access’s The Twilight Zone could provide a spark of hope to get him involved in this big-budget playground. If Marvel lets Jordan Peele’s imagination run wild a little, he could tread a new path for the entire franshise moving forward. 

    Ava DuVernay

    There are concerns with bringing in DuVernay on this film, sure, but she’s absolutely worth considering. Yes, A Wrinkle in Time underwhelmed, but the visuals were never the issue, and with Derrickson exiting, it would do Marvel some good to bring in a director who has shown their own talent for creating visually stunning effects. DuVernay is currently tapped to direct New Gods for the DC Universe, but given the lack of knowledge and even deeper lack of interest for the project, I’d expect getting out of that deal wouldn’t be that difficult at this point. 

    Melina Mantzoukas

    You know what’s really scary? Actual stakes of life and death. The argument can be made that no director handled that better than Mantzoukas did in Queen and Slim last year, as she followed two outlaws trying to outrun their own building legend. From the time we start our journey on the run with the couple until the film’s tension-filled ending, Mantzoukas builds the stakes wonderfully, and keeps the focus on the individuals at the film’s center. With so many different visual possibilities likely to be present in Multiverse, adding Mantzoukas to keep the focus on Stephen Strange and Wanda Maximoff will help the film keep some semblance of reality in the madness. 

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