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  • The Black Keys “Turn Blue” Album Review

    The Black Keys “Turn Blue” Album Review

    blackkeys

    7.5
    out of 10

    The fact that the Black Keys are around in the music world and they continue to sell out stadiums and records with an old-school sound is appalling to me. It’s not because they’re bad or anything, but it’s because I don’t think a lot of people in this generation of music really appreciate the roots of where a lot of their favorite radio-played rock comes from. Dan Auerbach and Patrick Carney are two people who love their roots and show it in their blues/garage-rock driven musical odysseys that bring you to a booming Nashville, or a rockin’ Chicago. And even though the rock is still here in it’s cleanest form because of producer Danger Mouse, the blues and the sadness and somberness of these songs are the elements that push it forward.

    turnblueWhat drew me to the album besides the lead single, “Fever”, was the story behind the songwriting and Auerbach’s hard times in the past few years. Following the divorce with his wife and losing custody of his child, Carney even said that it was the saddest he’s ever seen his bandmate. But, sadness does fuel tempestuous and visceral songwriting that is heard throughout and that’s one of the strongest suits of the album. Never once do you feel as if the heartbroken songs are contrived or cliched, and instead you end up feeling for Dan more than anything. Especially on the track “10 Lovers” that says “Don’t leave us down and out again/Your little girl can’t comprehend/She had another dream that her mama’s gone/She’s all right, but you’re all wrong”.

    From the start of the album we’re greeted to a heightened production value on “Weight of Love” where you’re brought this country acoustic and electric piano that just strums in like a passing cloud and this burst of electric guitar like a lightning strike in the distance, and then as soon as it gets going, the bass thumps with that familiar Gorillaz-like sound and Auerbach’s voice has a particular drab inflection with a hint of genuine soul and sadness that is accompanied by a higher-pitched Auerbach in the chorus. Actually, in a lot of these songs he decides to take the falsetto road. “Turn Blue”, “Waiting on Words”, “10 Lovers”, “In Time”, all take the high-pitched way to resemble a wail or a cry, which is effective in most of these cases. There are some times where the Black Keys actually sound like the Black Keys of lore with “Fever” and “It’s Up To You Now” which are cool tracks on their own, so for all of you purists out there who want to hear some blues-rock with more rock, there are those tracks and the closer, “Gotta Get Away”.

    For the most part, I enjoyed the album. I loved the somber tone, I like the little hints of female voices in the production, the sound effects to make it like a 70’s psychedelic road trip was fantastic and when it was put in, it really worked in it’s favor. There are some songs that fell a bit under the GREAT spectrum for me, but they’re few. (Only like “In Time” and “It’s Up To You Now”) Other than that, the people who mistake the emotion for blandness and blame it on Brian Burton’s brilliant production, I’ve got no idea what their talking about. But I may be biased considering he produced a couple of my favorite albums… *cough* Demon Days *cough*

    Final Verdict: While it’s not as sad or as punchy as something like Queens of the Stone Age’s “…Like Clockwork”, it’s still a great, dour album with moments that will make you look down with your eyes closed and say “sing it, brother, I feel you”. And that’s what an album is supposed to do, right? It’s supposed to make you feel something whether it be happy, sad, angry, joyful, or anything else. It’s a win for me.

  • Album Review: Matthew Santos – “Into the Further”

    Album Review: Matthew Santos – “Into the Further”

    In a folk scene in threat of becoming stagnant in the face of major label commercialization, even Mumford & Sons are trying to reinvent themselves. Nobody wants to listen to the same Lumineers song over and over again, but if you’re the kind of music listener who just needs an acoustic guitar and some raw, rusty vocals to have a good time, you’re in luck: two time Grammy nominee Matthew Santos has recorded an eclectic, often surprising folk record that is as adventurous as it is soulful and organic.

    Into the Further begins with a vaguely-psychedelic introduction that showcases Santos’ tight rhythm section — who go on to provide the record with some of its most memorable moments — with some jazz-influenced percussion that I wouldn’t have been surprised to hear Kendrick Lamar rapping over on his recent experimental opus To Pimp a Butterfly. “Ojos” on the other hand sounds like Timberland producing an Amnesiac-era Radiohead joint, as some skittery beatboxing propels the song’s dreamy synth textures towards a soulful, beautiful climax.

    Santos doesn’t start singing until the record’s third song, but “Under the Microscope” is as fine a moment to step up to the mic as any; it’s more straightforward but as equally lovely as anything that’s preceded it so far, a sprightly folk pop tune with a plucked double bass that brings to mind the comfortable arrangements of Andrew Bird, or perhaps Sufjan Stevens in one of his better moods. Less comfortable is the moody “Seven Years”, which finds Santos over a track that is all fire and brimstone, its ominous bass line chasing Santos around as if he’s trailing gasoline. The tension breaks as the band transitions into “It All Works Out” without missing a beat, although Santos seems less than relieved as he belts out the song’s titular consolation.

    While many of these songs could have been performed solely by Santos and his acoustic guitar, the singer’s simple folk tunes are elevated to a higher standing thanks to the brass and string arrangements of Matt Ulery, whose utilization of weeping violins and foggy horns help make songs like “White Gloves” and “End of the Pipeline” such compelling and enveloping successes. Santos and his arrangements manage great chemistry, as his liquidy falsetto winds and twists among the string to deliver some truly arresting vocal moments.

    With Into the Further, Santos has crafted a record that showcases his versatile talents as a singer, songwriter and performer. While any folk artist can learn their way around an acoustic guitar, Santos proves capable of commanding a variety of more complex sound palettes to deliver cathartic results the likes of which every artist in his field should strive for. 

  • 2016 Emmy Predictions: Limited Series

    2016 Emmy Predictions: Limited Series

    This year, Limited Series is a surprisingly competitive category this year. There are feasibly nine legitimate competitors for the five slots. At the top of the list is FX’s “The People vs. O.J. Simpson”. They are going to feasibly be the nominations leader with multiple nominations in each category and it has the cultural clout that you don’t often get with a limited series.

    Right behind them is the early frontrunner and last year’s winner, “Fargo”. It surpassed reviews from last year as well as buzz. I can see them going toe to toe with “The People vs. O.J. Simpson” in almost every category. It’s going to be one of the closest races on Emmy night.

    Closely following the two frontrunners is “American Crime”. It had a great year last year including a win for Regina King, who is certain to return. However, the one thing against it is that it doesn’t have nearly as much buzz as the first two series I mentioned. It’s going to have to cover a lot of ground to overcome that.

    The above three series are pretty much locks. However, these last two spots are going to be a fight. It can be a combination of six shows that are all in contention. “Roots”, which is a reimagining of the 1977 miniseries that famously was nominated 37 Emmys, could go one of three ways: it is nominated only for Best Limited Series and a few other categories, it is nominated in several categories except for Best Limited Series, it is a nomination juggernaut.

    Right now, I am leaning towards the first option. I don’t think it’s going to be a huge factor in nominations, but it is going to get a few that will justify a series nomination. I can also see it easily missing.

    Then there’s the question of the ever confusingly nominated “American Horror Story: Hotel”. The show has been consistently nominated since inception, but never seems to have caught on with wins. The “Hotel” season was probably the least lauded, but last year they hit a high in nominations. Sadly, I can’t see it not being nominated, but it could be bumped out because of the crowded year.

    1. “The People vs. O.J. Simpson”
    2. “Fargo”
    3. “American Crime”
    4. “Roots”
    5. “American Horror Story: Hotel”
      ———————–
    6. “The Night Manager”
    7. “Show Me A Hero”
    8. “Flesh and Bone”
    9. “11.22.63”
    10. “True Detective”
  • 5 New Shows That Could Break into the 2016 Emmy Race

    5 New Shows That Could Break into the 2016 Emmy Race

    The Emmys are often slower to pick up to new shows than other awards, however this year there are a few that may make it into the race. Here are five new shows that could break into the Emmy race this year.

    Also, check out our early Emmy predictions for Outstanding Comedy and Drama Series!

    mozart in the jungle new shows emmys

    Mozart In the Jungle

    Mozart in the Jungle pulled off two wins at the Golden Globes earlier this year, which proves that Amazon’s other comedy “Transparent” wasn’t just a one off. The online streaming service is making a strong play for the awards races and “Mozart in the Jungle” seems to be their next big contender. The Golden Globes have been pretty consistent in predicting a nomination for a show on the comedy side. Winners of Best TV Series, Musical or Comedy tend to go on to receive at least a nomination. Still, they might have a hard time in the series race because of the strength of the comedy field this year. However, they could possibly pull off a nomination for Lead Actor for Globe winner Gael García Bernal if perennial nominee Don Cheadle drops off like Jim Parsons did last year.

    Master of None

    Aziz Ansari’s Netflix comedy “Master of None” made a huge splash with audiences and critics to become one of the best new series of the year. It won the award for Best Comedy Series at the Critics’ Choice Awards, which is not a prerequisite, but it certainly helps. However, the biggest plus for it is the fact that Netflix will be pushing the show extremely hard. Plus, its popularity has been slow, but building.

    Aziz Ansari has a great chance of reaping both writing and Lead Actor nominations. The show itself is a strong contender for Best Comedy Series despite the crowded Comedy field this year. It’s going to surprisingly be one of the less divisive new shows that are in contention this year. As for other categories, I could see a directing nomination if the show really catches on with voters as well as a well-deserved Nöel Wells.

    rebecca-bunch-greg-rachel-bloom-crazy-ex-girlfriend-850x560

    Crazy Ex-Girlfriend

    Another network that has been having some surprising recent success is the CW, mostly because they’ve become extremely brave in their programming. Last year, Gina Rodriguez (“Jane the Virgin”) pulled off a win at the Globes, but failed to repeat her success at the Emmys. This year, Rachel Bloom won Best Actress at the Golden Globes and the Critics’ Choice Awards. While that doesn’t guarentee her a nomination (see: Gina Rodriguez), “Crazy Ex-Girlfriend” is a far more accessible show that Jane the Virgin and has similar acclaim.

    Rachel Bloom has a great chance of showing up in Lead Actress in a Comedy Series and the show is definitely in the running for a writing or directing nom. However, an Outstanding Comedy Series nomination is going to be more difficult to come by with the crowded field. The show should also do well in the below the line categories like Outstanding Music and Lyrics, Choreography, and Sound Mixing.

    Narcos

    Since “House of Cards,” Netflix hasn’t been able to get another one of its drama series into the race. While “Bloodline” received two acting nominations, that’s really been the extent of their Emmy success. “Narcos” has similar reviews to the first season of “House of Cards” and has also had a slow and steady building of buzz. While it doesn’t have the strong names behind it like “House of Cards,” it’s a sweeping series that comes at a time where the cartel has become a common interest in books and movies.

    It’s going to have a tougher time than “Mr. Robot” to break into the Drama Series race, but Wagner Moura, who plays Pablo Escobar, could make it into the weaker Lead Actor race.

    mr. robot new shows emmys

    Mr. Robot

    The most likely show to break into the drama categories is USA’s “Mr. Robot.” The show has garnered huge acclaim and has already won at the Golden Globes, Critics’ Choice, and reaped a SAG nomination for Rami Malek. While USA has yet to really break into the Emmy race, “Mr. Robot” feels like the kind of drama that the Emmys can actually latch onto.

    The series is an extremely strong contender for Drama Series, Writing, Directing, Lead Actor for Rami Malek, and Supporting Actor for Christian Slater. It can even make a strong showing in the Creative awards, particularly Cinematography and Editing. It could be among the nomination leaders for a new show similarly to the way “Transparent” was last year.

  • Egregiously Early 2016 Emmy Predictions: Comedy and Drama Series

    Egregiously Early 2016 Emmy Predictions: Comedy and Drama Series

    The Oscars are over, which means it’s time to turn our attention to the Television kudos, the Emmys and our 2016 Emmy Predictions! Last year was an odd year for the Emmys with several different changes giving us surprise winners. Of the most important changes:

    1. During the nomination process in lead and supporting categories, there will be six nominees as usual. However, there can be seven or eight nominees if the seventh and eighth place person on that ballot comes with 2% of the sixth place person. That’s why we had seven nominees in Lead Actor in a Comedy Series and Supporting Actress in a Comedy Series
    2. Instead of panels reviewing submitted episodes of the nominees, the full Television Academy is able to vote.

    The second rule showed the most obvious effect with winners like Peter Dinklage (“Game of Thrones”) and Allison Janney (“Mom”) winning by lazy name checking rather than their tapes. Jonathan Banks (“Better Call Saul”) and Anna Chlumsky (“Veep”) easily had the best tapes in their respective categories.

    This is why this year at the Emmys is going to be the most interesting. Now that we’ve seen how this new system affects the winners and nominees, we can better predict the winners. On the drama side, Emmy heavy-hitter “Mad Men” opens up spots in several categories. Most importantly, Best Drama Series.

    This year has been a particularly weak one, so there won’t be much movement.

    Last year’s winner “Game of Thrones” will easily make it back into the race as well as perennial nominees “House of Cards” and “Downton Abbey.” First-time nominee “Better Call Saul” will make it back in as well following a strong year of nominations last year. Despite only receiving three nominations last year, “Orange is the New Black.” which was moved to drama after a new rule defining dramas as an hour-long, should make it back in because of the weak field.

    That leaves two spots open. Golden Globe winner “Mr. Robot” has the best chance of any new show this season of breaking into the race. With the lack of contenders, it should be able to do it. That leaves the last spot to either previous winner “Homeland” and Netflix newcomer “Narcos.” Both series received generally positive reviews this year. However, the buzz for the former just doesn’t seem to be there

    BEST DRAMA SERIES
    1. Game of Thrones
    2. House of Cards
    3. Better Call Saul
    4. Mr. Robot
    5. Downton Abbey
    6. Orange is the New Black
    7. Narcos

    8. Homeland
    9. Vinyl
    10. The Good Wife

    The comedy side is quite the opposite. There is an abundant of contenders. However, it’s certain that previous winners “Veep” and “Modern Family” will return. “Transparent” will also come back following a great performance in nominations last year. After those three contenders, the waters get a little murky. Aziz Ansari’s highly acclaimed Netflix show “Master of None” has a great chance of breaking into the race after nominations at the Golden Globes and a win at Critics’ Choice. Perennial nominee “Silicon Valley” still seems to have legs, so the HBO show should come back along with a nominee last year, “Unbreakable Kimmy Schmidt.” 

    The last spot could go a few different ways. Golden Globe winner for Best Comedy Series and Best Actor in a TV Series, Comedy “Mozart in the Jungle” could make it in, especially after Amazon proved extremely successful with “Transparent.” However, until the Globe win I didn’t hear much buzz about the show. So I don’t think it will make it in too easily. Former perennial nominee “The Big Bang Theory” could make it back in after its 200th episode this year. Then there’s “Black-ish,” which had Anthony Anderson nominated last year and “Crazy Ex-Girlfriend,” the little CW show that could, which won a Golden Globe and Critics’ Choice for it’s lead actress. However, I’m going to go with Fox’s “The Last Man on Earth.” It had a great year last year with four big nominations for both writing and directing, as well as lead actor and editing. It feels like a series nomination is the next natural step. Then again, that’s what I thought with “New Girl” and we know how that ended up.

    BEST COMEDY SERIES
    1. Veep
    2. Modern Family
    3. Transparent
    4. Master of None
    5. Silicon Valley
    6. Unbreakable Kimmy Schmidt
    7. The Last Man on Earth

    8. The Big Bang Theory
    9. Mozart in the Jungle
    10. Crazy Ex-Girlfriend

    Check back here for more 2016 Emmy Predictions!

  • Bookishsmaug’s 5 All-Time Favorite Reads

    Bookishsmaug’s 5 All-Time Favorite Reads

    We teamed up with Instagram superstar @bookishsmaug to bring you some of her favorite books! We’ll let Cath (aka bookishsmaug) take it from here:

     

    “There are just some books in the world where you can never let go off as it stays etched deep in your heart. Doesn’t matter what genre, really, cause you never know. You might loathe contemporary romance or sci-fi or even fantasy, but it takes the right book to just suck you in. Today, I bring you five of my all time favorite reads. And trust me, you will not regret picking them up.

    Illuminae by Jay Kristof and Amie Kaufman

    I loved this book. It’s true what the people say – it’s like titanic in space! The story is told through a series of Instant messages, maps, blueprints, countdown systems, emails, interviews, and more! The characters were absolutely hilarious as well! very sarcastic and sassy. I’m not the biggest fan of sci-fi but illuminae was exceptional. Very unique and thrilling indeed.

    The story starts off with an interview regarding an invasion that happened just this after on earth, the year 2575. One of our main characters, Ezra, talks about evacuating to one of the spaceships, leaving behind his ex girl friend Kady who is now on board a different evacuating ship. Of course, being ex couples things should work out, right? Well, the problem’s just getting started.

    A deadly plague broke out, resulting in mutation and disastrous outcomes, and with the whole fleet being under the command of the computer system AIDEN, only two passengers on board can work this out.

    Then again, these two swore to never speak a word to each other ever again, that is until they found out their lives depend on one another.

    Cinder by Marissa Meyer

    WOW this book was amazing. So heartbreaking but amazing. I’ve only read the first three books but I can tell this series is going to be one of my favourites! Prince Kai is one of my faves as well, I feel so sorry for him and I just want to hug him and never let him go *weeps*

    So this story follows a sixteen year old teenage girl who’s a mechanic. Totally normal, perfectly safe, but guess what? She’s a cyborg living under the commands of her evil stepmother.  But that’s the least of her problems – a deadly disease is slowly killing her village, not to mention her step sister Pearl. So when Cinder meets prince Kai, she finds herself in a position that’ll threaten not only herself but the whole kingdom.

    If you’re a fan of retellings, this series is perfect for you. A collection of stories inspired by Cinderella, Little red riding hood, Rapunzel, and Snow White, you’re bound to fall for this series.

    The Wrath and The Dawn by Renee Ahdieh

    This book made the top of my ‘fave book of 2015′ list and it was so amazing and charming and all the good things in life <3

    So this story follows a king named Khalid who brings in a new wife each day and kills them by dawn. One day a girl named Shazi volunteers to be his next bride and plans a way to seek vengeance after she’s heard what the king has done to her best friend, Shiva. Shazi does so by telling the king stories each day to prevent her death, but then the improbable happens. She starts falling for the king *dramatic music* but after all the king’s done? All the lives he took? How can Shazi find a way to end this once and for all?

    A tale inspired by A Thousand and One Nights comes a story so heart wrenching it’s sure to have you guys hooked!

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    Isla and The Happily Ever After by Stephanie Perkins

    My fave contemporary ever! The author’s whole series is amazing, really. It flutters your heart and makes you sob and laugh and swoon over the characters <3

    Meet Isla, your average straight A student whose life is an absolute bore. Meet Josh, an insanely talented tattoo artist who’s just as passionate about travelling. For the longest time, Isla’s had a crush on this mysterious artist, so what happens when Josh breaks up with his girlfriend and the two meets at a small little cafe?

    With Josh, Isla’s life has taken a turn for the better, but of course, drama gets in the way. So what happens when the two are constantly separated from the possibility of bringing their futures together?

    This story’s all about taking a leap of faith and trusting in yourself. Like Isla, everyone has insecurities. Like Josh, we all have dreams. It’s such a warm story – very realistic and original. Stephanie Perkins’ stories remind us that not all happily ever afters are fairytales.

    November 9  by Colleen Hoover

    I finished this book in well about one night *breathes heavily* so much feels. Literally. Every flick of that page evokes a different emotion every time.

    So this story follows a girl named Fallonwhose dreams are well about shattered due to what happened to her six years ago. Half her skin is covered in scars and because of that her ambition of becoming an actress is over.

    One day Fallon meets an aspiring writer named Ben in a small restaurant. With their timing being stretched thin, the two agrees to meet every year for five years on the same date, same place, and same time. Of course, five years is a long time. And a lot happens.

    This book is bewitching, seriously. So much happened over the course of 300 pages. I’ve got no words, i’m truly in awe. I love everything about this book, even the drama. Colleen Hoover wears your soul until you fall on your knees weeping. I swear, read. this. book.”

    You can follow Cath on Instagram or check out her own blog here!
  • 2016 Oscar Predictions: Best Film Editing

    2016 Oscar Predictions: Best Film Editing

    Best Film Editing is a very important category at the Oscars. You need to be at least nominated in the category to win. Last year’s Best Picture winner “Birdman” was an anomalous case since it was edited to look as if it was filmed in one take. So ignoring that year, the last time the Best Picture winner wasn’t nominated in this category was 1981 when “Ordinary People” won. However, that usually doesn’t go for the winner. Best Picture and Best Film Editing match up about half the time. Usually, the winner tends to be the film with the most editing like “The Bourne Ultimatum,” “The Social Network,” and last year’s winner “Whiplash.”the-big-short-oscars-best-film-editing

    However, another statistic that some pundits often don’t consider is that the winner often takes at least one other tech category with it. Since 1990, only two movies won Best Film Editing without taking at least one other tech award: “Traffic” (2001) and “Unforgiven” (1992). “The Big Short,” which arguably has the most editing, isn’t even nominated in another tech category. This doesn’t take them out of the conversation, but I think it’s more likely that one of the two tech heavy films are going to win.

    “The Revenant” is poised to win at least two and maybe three over-the-line categories, Best Director and Best Actor, and is the frontrunner in at least two tech categories, Best Cinematography and either of the sound categories. However, it lost out to “Mad Max: Fury Road” at Critics’ Choice, BAFTA, and most importantly the ACE Eddies. I think that makes it the solid frontrunner that will make it all the way.

    The only other scenario I could see playing out is that “Star Wars: The Force Awakens” goes on a streak of their technical awards and takes this category along with them.

    Check out all our 2016 Oscar predictions here!

    *My “if I had an Oscar ballot” pick

    Rankings:
    1. Mad Max: Fury Road*
    2. The Revenant
    3. The Big Short
    4. Star Wars: The Force Awakens
    5. Spotlight

    Should’ve Been Nominated: “Steve Jobs,” “The Martian,” “Room”

  • January Reading Wrap-Up: “The Power of the Dog,” “Gone Girl,” & More

    January Reading Wrap-Up: “The Power of the Dog,” “Gone Girl,” & More

    At the end of every month we are going to review all the books we read and say which ones we recommend and which we think you should leave on the shelf. Enjoy our January Reading Wrap-Up!

    The Martian – Andy Weir

    The year is 2035, the Ares III manned mission on Mars is forced to evacuate due to a severe storm that supposedly kills astronaut Mark Watney. The january-reading-wrap-up-martiancrew takes off away from Mars. The only problem, Mark Watney is alive and so begins his story of survival where he must stretch a mission that was to last 30 days to more than 3 years. NASA, the world, and most importantly, we are watching and hoping that he does.

     I finally read the book after the I watched Ridley Scott’s adaptation, which Drew Goddard (The Cabin in the Woods) wrote. The movie is piercingly funny, thrilling, suspenseful, and an emotional roller coaster. If it was able to affect me in a way that made it one of my favorite movies of the year, then the book would probably do even better — and it almost achieved it. The voice that Andy Weir writes Mark Watney in is so wonderfully witty that you forget that he is alone on an entire planet. As his story of survival lurches on, it’s his personality the we cling to for salvation. However, the entire ensemble of the book is truly cast of characters.

    However, part of the reason the book didn’t quite reach the heights of the film — and why Goddard deserves much praise for his adaptation — is because sometime the book goes too deep into the science. I have to commend Weir for his dedication and gratitude for science, which is really what the book is about, but sometimes the long stretches of it bog down what otherwise would be a fast-paced read. Also, there are a few too many “Mark Watney might die” close calls that also slow down the narrative, however when it’s thrilling then it’s heart-racing exhilarating.

    Recommend? Yes! Despite some of its flaws, science geeks will love the deep analysis of certain decisions and book worms will love the witty writing style and fast paced plot. ★★★★

    The Book of Joe – Jonathan Tropper

    The Book of Joe, Jonathan Tropper’s second novel, takes that biting humor and puts into that “return to hometown” plot. However, although those types of books and movies get tedious and cloying, Tropper’s overall wittiness and brutal humor makes it a refreshing read. The novel tells the story of Joe Goffman, a bestselling offer who did what any great writer does — write from experience. In his case, he writes about his hometown Bush Falls, the january-reading-wrap-up-book-of-joepeople, and his experiences. His book becomes a hit and is turned into a popular movie. He never thought he would have to return to Bush Falls again. That is until his father falls into a coma.” –from our full-review of The Book of Joe

    Most of you probably know Jonathan Tropper from This Is Where I Leave You (which suffered from a subpar movie adaptation) which used the similar trope of going home to cause change in our main character. However, what makes This is Where I Leave You so successful is its incredible cast of characters that make up the Foxman’s family. In The Book of Joe, the characters surrounding Joe are hit or miss. You have quite interesting and dynamic characters in his best friend, dramatically drawn ones in his old high school’s bully, however for every great character there are some that feel too one-dimensional such as his old girlfriend and brother.

    Other than some character issues, the book is phenomenally readable and surprisingly has a lot of heart. I think what makes an interesting main character is one that you’re not always rooting for. Sometimes you feel that they have to be struck down for their own good, and Joe is one of those characters. You want him to change for his own good. I think that some plot points are made simply to have fun passages of comedy, but in the end never add much to the narrative, but it’s okay because they do conjure a smile. If you’re a visual reader, then this is the book for you because it plays so much like it was written like a movie in mind, which if happened would be a movie about a book about a book that was turned into a movie. Give it to us Hollywood!

    Recommend? If you’re not looking for the next Crime & Punishment and want a funny and easy read, then this one is for you! ★★★½

    The Power of the Dog – Don Winslow

    The Power of the Dog opens on the bloody massacre in a home filled with men, women, children, and babies. It perfectly sets the tone of the novel. Don Winslow is able to create an atmosphere with his words that is unsettling, foreboding, and almost sickening. So begins the three-decade look at the war january-reading-wrap-up on drugs. The novel switches perspectives through several characters throughout the novel. From a DEA-agent on a mission to right past wrongs, an Irish mobster, a prostitute who gets involved in the border war, a priest going against the Vatican, and several heads (sometimes severed) of different Mexican cartels. However, the novel mostly focuses on Art Keller’s trajectory into the DEA to starting a manhunt on an epic scale.

    Don Winslow has a fascination with the cartel that I hope he never loses. Between Savages, The Kings of Cool, and his most-recent novel The Cartel, he has a way with writing about the war on drugs that is entertaining, complex, but so readable. Although The Power of the Dog stretches to 550 pages, he never wastes a single sentence. He writes with such intent that it makes the novel’s 30 years of story feel like it goes by in a flash. He has a way of tying complicated characters into a complex plot without taking from either. The book is just as much a character study as it is historical fiction as it is a thrilling crime novel. He is able to balance every single aspect with a grace and flow that most crime novelists would envy.

    As the years move by and the plots get continuously intertwined, you begin gripping the book tighter. It’s what Winslow does best. He is a highly visual writer, which adds so much tension and excitement, especially when he writes action. However, even scenes that are static are written in a way that slowly burn, waiting to explode. It’s so hard to write about this book without talking about the plot, but it’s one of those books that you really have to go in with a clean slate. That’s how it’ll grip you. By the end, you’ll feel like you’ve really lived through the 30 years covered, but you’ll want to dive back into them — I certainly do.

    Recommend? YES! A thousand times, yes. Not only do I think this is one of the best crime novels I’ve read. It may be one of the best novels I’ve read. ★★★★★

    Gone Girl – Gillian Flynn

    Amy is gone. Her living room shows signs of a struggle, the front door was left open, and her husband is acting distant. Even more interesting, she disappeared on their However, nothing is as it seems in Gone Girl. Gillian Flynn does something with Gone Girl that makes it one of the most inventive contemporary novels. Switching between present day from the perspective of Amy’s husband Nick Dunne and her private diary, we watch as the case january-reading-wrap-up-gone-girl unfolds and and their marriage unfolds. Amy’s diary tracks her and her husband’s relationship from when they meet to a few weeks before she disappeared. Reveals are made as Nick solves the scavenger hunt his wife always leaves for him on their anniversary and as Amy grows deeper into her relationship with Nick Dunne.

    I watched the Gone Girl movie first. Not only was it directed by David Fincher, it was based on a book that you couldn’t go anywhere without hearing about. The movie was one of my favorites of the year and ranks as one of the best works by Fincher. So when I finally picked up the book to read, it had big shoes to fill. I think what makes the book so wonderful is that it uses the unreliable narrator trope so adeptly. We don’t know who to believe. Nick or Amy. The police or the media. It paints a realistic world that doesn’t have any clear cut answers. Flynn has found a way to draw such vivid, extremely flawed, and frankly, f*cked up characters that have motivations and feelings that are actually terrifying.

    I’m going to go no further in describing the book. Just know that Gone Girl is an extremely taut thriller that is so methodically written that it feels like a puzzle, better yet, a riddle. It comments on marriage, the media, and even our society. Books that are able to change our perception of the world, and more importantly, people are in a league of their own. I am a stern believer that entertainment should make you uncomfortable and this book will have you jumping out of your own skin.

    Recommend? Yes! Gone Girl is essential contemporary reading. A wonderful take on a mystery and thriller, it’s a novel that will be remembered for years. ★★★★★

    Me Before You – Jojo Moyes

    I ended the month on a lighter read than the last couple books, but no less emotionally charge. Me Before You centers on Louisa Clark, a 26 year-old who just can’t seem to find her place in the world. She has never left her hometown or moved out of her childhood home, but she’s content there. However, after losing her job and her parents in dire financial straits, she must step out of her comfort zone and take a job as a caregiver for a C5-6 january-reading-wrap-up-me-before-you quadriplegic, Will Trainor. Initially a man who seemed invincible, Will’s accident has taken the one thing he cherished most: his freedom. Louisa’s task is to keep him happy, sane, and feel as if he still has a life.

    Romances are very rarely my kind of book. Very few have been able to break through me. The Fault in Our Stars is really the only example of one that actually affected me. However, what Jojo Moyes did was take a subject that seems very young adult oriented and inject a maturity that makes the novel as much of a romance as it is a look at life of the misguided. Louisa Clark may be one of my favorite book characters in recent memory. She’s so unapologetically different, however when you dig into why your heart will break. Her relationship with Will causes both of them to grow in the best ways possible. However, what makes Me Before You such a successful book is that Moyes is so brave in her portrayal of life. The situation the characters are in is hard and she doesn’t sugar coat that fact.

    The characters surrounding the main couple are so well drawn out as well. Louisa’s family isn’t perfect by any means. The people featured are victims of their circumstance. They are not living in a world that is as romantic as we want it to be. However, don’t think that the novel is as dull or dark as it sounds. Moyes is so bitingly funny in her dialogue and in the situations she presents. She is also a highly visual author, which makes some scenes soar like you’re watching the climax of a movie or break your heart. That being said, it is wildly readable, affecting without being preachy, and romantic without being cheesy. Me Before You is the rare romance that realizes that hurt exists.

    Recommend? If you’re not that into young adult plots or romances, then this may not be for you. But I certainly recommend it for anyone willing to go through an emotional roller coaster. Check out our full review here! ★★★★★

  • 2016 Oscar Predictions: Best Original Screenplay

    2016 Oscar Predictions: Best Original Screenplay

    For the last ten years, Best Original Screenplay has gone to a Best Picture nominee. The last time it didn’t was in 2005 when “Eternal Sunshine of the Spotless Mind” won. If this trend continues, then unfortunately “Ex Machina,” my second straight-outta-compton-best-original-screenplayfavorite movie of 2015, is out of the running. “Straight Outta Compton” would also be knocked out, but I’ll make a case for it a but further down. Another statistic that will knock out a contender is “Inside Out” since no animated film as ever won.

    If “Spotlight” is the Best Picture winner like we think it is, then it needs to take at least one other award. Best Original Screenplay looks to be that award. It is also the quiet indie movie that tends to win here like “Juno,” “Little Miss Sunshine,” and “Her.”

    The other Best Picture nominee in the category is “Bridge of Spies.” While it’s written by Academy favorites Joel and Ethan Coen, it doesn’t have the wider support like “Spotlight” has.

    The one question mark in the race is “Straight Outta Compton” because of two factors: (1) it was probably either the number nine or ten Best Picture nominee; (2) it is really the only film that focuses on people of color nominated. I think the first factor shows that it has a base of support and the second will help get it votes from those who believe that the Oscars need to have inside-out-best-original-screenplay diversity in it. Lastly, it is a well written movie and sometimes that’s enough.

    I think that “Spotlight” is solidly in the front, however I think that “Straight Outta Compton” has a genuine shot at taking the win here.

     

    Rankings:
    1. “Spotlight”
    2. “Straight Outta Compton”
    3. “Inside Out”
    4. “Ex Machina”*
    5. “Bridge of Spies”

    Should’ve Been Nominated: “Anamolisa,” “Spy,” “Sicario”

  • 2016 Oscar Predictions: Best Director

    2016 Oscar Predictions: Best Director

    Best Director has quickly become the category where the visionary filmmaker is honored. Ang Lee won for “Life of Pi” in 2013, Alfonso Cuarón for “Gravity” in 2014, and Alejandro G. Iñarritu for “Birdman” in 2015 (his film was the most visionary of the group, at least). However, this year we have the debacle of having two directors from visual effects heavy, high production films: George Miller (“Mad Max: Fury Road”) and Alejandro G. Iñarritu (“The Revenant”).mad-max-fury-road-best-director-oscars

    Miller and his film nearly dominated all the critics awards leading up to the guilds, where the film stumbled. Iñarritu won the Globe, however there is a lot of precedent against him rather than for him. Only twice in the history of the Oscars has a director won Best Director consecutively — John Ford and Joseph L. Mankiewicz. This does not lend well to an Iñarritu win.

    If you take stats into consideration, the correlation between Best Picture and Best Director is an important one. Since the year 2000, the winner of Best Picture didn’t match up with Best Director only five times:

    2001: Steven Soderbergh (“Traffic”) won director; “Gladiator” won picture
    2003: Roman Polanski (“The Pianist”) won director; “Chicago” won picture
    2006: Ang Lee (“Brokeback Mountain”) won director; “Crash” won picture
    2013: Ang Lee (“Life of Pi”) won director; “Argo” won picture
    2014: Alfonso Cuarón (“Gravity”) won director; “12 Years a Slave” won picture

    So if the trend holds, it’s likely that the Best Picture winner also wins Best Director. We’re predicting “Spotlight” to take Best Picture, which gives Tom McCarthy (“Spotlight”) the edge.

    I think that we’re going to see another split year. If “Spotlight” takes Picture, what takes Director?

    the-big-short-best-director-oscarsThere is too much history going against Iñarritu. Even worse, I think voters are aware of the record and don’t want to see him join the likes of John Ford and Joseph L. Mankiewicz. In that case, George Miller wins the award. However, the DGA is going to be extremely important here. I can foresee Adam McKay (“The Big Short”) upsetting there. Either way, whoever wins DGA will probably win the Oscar.

    Check out all our 2016 Oscar predictions here!

    *My “if I had an Oscar ballot” pick

    Rankings:
    1. George Miller (“Mad Max: Fury Road”)*
    2. Alejandro G. Iñarritu (“The Revenant”)
    3.Adam McKay (“The Big Short”)
    4. Tom McCarthy (“Spotlight”)
    5. Lenny Abrahamson (“Room”)

    Should’ve been nominated: Alex Garland (“Ex Machina”), Andrew Haigh (“45 Years”), & Denis Villeneuve (“Sicario”)

  • 2016 Grammy Predictions: General Field

    2016 Grammy Predictions: General Field

    It’s music’s biggest night! The Grammy Awards are coming up on February 15th. Here are our 2016 Grammy Predictions for the general field categories!2016-grammy-predictions-album-of-the-year

    Album of the Year

    Nominees:
    “1989” – Taylor Swift
    “Beauty Behind the Madness” – The Weeknd
    “Sound & Color” – Alabama Shakes
    “To Pimp A Butterfly” – Kendrick Lamar
    “Traveller” – Chris Stapleton

    Will Win: “1989” – Taylor Swift
    Could Win: “Sound &
    Should Win: “To Pimp A Butterfly” – Kendrick Lamar
    Should’ve Been Nominated: “Sometimes I Sit and Think, And Sometimes I Just Sit” – Courtney Barnett

    With a huge 11 nominations, Kendrick is obviously a widely beloved artist and “To Pimp A Butterfly” isn’t just essential listening this year, it’s an album that many have called the best of the year. However, you have to go back to 2004 for the last time a hip-hop album won Album of the Year and NO rap album has ever won the prize. Because of this, Taylor Swift should win her second AOTY for “1989” quite easily. It is the most accessible album and has strong genre support. However, watch out for a surprise from Alabama Shakes with “Sound & Color” or “Traveller” by Chris Stapelton.

    Record of the Year

    Nominees:
    “Blank Space” – Taylor Swift
    “Can’t Feel My Face” – The Weeknd
    “Really Love” – D’Angelo and the Vanguard
    “Uptown Funk” – Mark Ronson feat. Bruno Mars
    “Thinking Out Loud” – Ed Sheeran

    Will Win: “Uptown Funk” – Mark Ronson feat. Bruno Mars
    Could Win: “Can’t Feel My Face” – The Weeknd
    Should Win: “Blank Space” – Taylor Swift
    Should’ve Been Nominated: “Loud Places” – Jamie xx feat. Romy

    2016-grammy-predictions-taylor-swiftIt’s important to note the distinction between Record of the Year and Song of the Year. The former honors the production of songs — the actual recording. This includes the mixing, the performance by the vocalists, and the actual recording of the track. That being said, the most production heavy song of the nominees is “Uptown Funk.” It should win pretty easily here. However, watch out for hit song “Can’t Feel My Face” to upset. “Blank
    Space” is a song that was made in post-production. Without it, it would have been a subpar pop song. However, the most dynamic and layered song of the year had to have come from Jamie xx’s In Colour with “Loud Places.”

    Song of the Year

    Nominees:
    “Alright” – Kendrick Lamar
    “Blank Space” – Taylor Swift
    “Girl Crush” – Little Big Town
    “See You Again” – Charlie Puth feat. Wiz Kalifa
    “Thinking Out Loud” – Ed Sheeran

    Will Win: “Blank Space” – Taylor Swift
    Could Win: “Thinking Out Loud” – Ed Sheeran
    Should Win: “Thinking Out Loud” – Ed Sheeran
    Should’ve Been Nominated: “I Love You, Honeybear” – Father John Misty

    Usually the most “songwriter” friendly song wins in this category. That’s why we’ve seen winners like “Royals” and “Need You Now” in the past while the Record winner was different. That’s why it’s going to be a tight race between “Blank Space” and “Thinking Out Loud.” I think Taylor Swift, who has been nominated twice in the past in this category, should take it, especially if she loses her other two general field nominations. However, don’t be surprised if “Thinking Out Loud” takes it.

    Best New Artist

    Nominees:
    Courtney Barnett
    james-bay-2016-grammy-predictionsJames Bay
    Meghan Trainor
    Sam Hunt
    Tori Kelly

    Will Win: Meghan Trainor
    Could Win: James Bay
    Should Win: Courtney Barnett
    Should’ve Been Nominated: Hozier

    First off, had Hozier been nominated, he would win this category easily. However, as usual, the Grammys messed up. The last few years, the winner is the artist with the most Grammy nominations in the past and this year. Meghan Trainor should win because of her two nominations last year. However, James Bay racked up several rock nominations, so he is a close spoiler. Courtney Barnett created a sound so unique that no one else but her deserves the award.

  • 2016 Oscar Predictions: Best Supporting Actress

    2016 Oscar Predictions: Best Supporting Actress

    Out of the three acting races at this year’s Oscars, Best Supporting Actress is by far that hardest one to suss out. Unlike the last few years, there hasn’t been one actress that has been consistently winning awards and that has the clear momentum that makes her the frontrunner for the Oscars. The critics awards had no consensus with winners. Kristen Stewart (“Clouds of Sils Maria”) ended up being the most consistent winner, however she was snubbed at the Oscars. Part of the lack of consensus could be due to the fact that two of the nominees this year have been nominated and won awards in the lead category. Alicia Vikander (“The Danish Girl”) and Rooney Mara (“Carol”) have both been campaigned in supporting when in screen time and in plot their roles are clearly lead. In fact, Rooney Mara won Best Actress at the Cannes Film Festival over Cate Blanchett, who is nominated in lead. I guess when your character is the title of the movie, everyone else just supports you.

    rooney-mara-oscar
    Clear category fraud and sleazy Oscar campaign tactics aside (we’re looking at your Weinstein), Vikander has the advantage of having two successful movies that she has been nominated for and won for. She won at the Los Angeles Film Critics Awards for “Ex Machina” and at the Critics Choice Awards for “The Danish Girl.” She was also a double nominee at the Golden Globes. However, of the films the women are nominated, “The Danish Girl” is one of the least popular films, perhaps only being surpassed by “Steve Jobs” in unpopularity (although Kate Winslet has something else going for her, we’ll discuss this later). Really, who actually liked “The Danish Girl”? Granted, she is the strongest aspect of the film.

    Jennifer Jason Leigh (“The Hateful Eight”) is similar to Sylvester Stallone (“Creed”) in the Best Supporting Actor category in that the nomination was going to be her biggest hurdle. While she was nominated at the Golden Globes, she missed an important Screen Actors Guild nomination. Her performance is truly the apple in a bag of oranges. She is beaten to a pulp, abused, dragged around — she works for her Oscar. She has also been long ignored by the Oscars and can be seen as overdue. However, “The Hateful Eight” was widely ignored. The only other nomination it received was for its score.

    alicia-vikander-oscarThe wild-card of the race is Kate Winslet (“Steve Jobs”). On her seventh nomination (and with one win under her belt), Winslet is the most decorated nominee of the bunch. With an odd Golden Globes win under her belt, she should theoretically be the frontrunner. However, the Globes seemed to have had a love affair with “Steve Jobs” — it won the combined screenplay category as wall — and Winslet could have just been taken along for the ride.

    In the end, the only acting nominee that has little to no chance is Rachel McAdams (“Spotlight“). Despite being in the only best picture nominee of the bunch, her role is extremely understated and barely registers emotionally. If “Spotlight” wins Best Picture and takes an acting award with it, it’s more likely to be Mark Ruffalo than McAdams.

    What this race really boils down to is which nominee’s positives outweighs their negatives. Mara has the most screen time and Cannes award for Best Actress under her belt, however she has a quiet performance that typically doesn’t win in this category. Vikander is the breakout of the group with two successful movies, but will the unpopularity of “The Danish Girl” hurt her? Leigh has the big, bombastic performance that voters love, but her film and role are not terribly easy to watch. Winslet won the Globe and is an industry veteran in the hunt for her second win and although its been done, a second win has to feel like its imminent, and this year it’s anything but. Lastly, we have McAdams who has a quiet role in the Best Picture nominee.

    I’m going to go with Alicia Vikander for the win here. However, it is the least confident I am in an above the line category. Winslet or Leigh can easily steal this from her. Even Mara has an outside shot. This is truly going to be the category that is going to keep us guessing until the envelope is opened.

    Check out all our 2016 Oscar predictions here!

    * “If I had an Oscar ballot” pick

    Rankings:

    1. Alicia Vikander (“The Danish Girl”)
    2. Kate Winslet (“Steve Jobs”)*
    3. Jennifer Jason Leigh (“The Hateful Eight”)
    4. Rooney Mara (“Carol”)
    5. Rachel McAdams (“Spotlight”)

    Should’ve been nominated: Alicia Vikander (“Ex Machina”), Rose Byrne (“Spy”)

  • 2016 Oscar Predictions: Best Picture

    2016 Oscar Predictions: Best Picture

    spotlight-best-picture-oscarsmThis is perhaps the most competitive race for Best Picture this decade, maybe even this century. Never has the field been so divided. It seems that every precursor indicator contradicts another and just when we think momentum is building, it is quickly taken away.

    “Spotlight” maintained the frontrunner status throughout the critics awards even thought it ended up splitting wins up pretty evenly with “Mad Max: Fury Road.” However, Mad Max feels too genre to be a legitimate Best Picture contender, which is why most pundits were calling the race. Then, in a wild twist, Best Supporting Actor locks Mark Ruffalo and Michael Keaton missed nominations at both the Golden Globes and Screen Actors Guild Awards. Many pundits saw it as a sign of weakness. This narrative was further bolstered by snubs at the ACE Eddy Awards and for Best Director at the BAFTAs.

    In the wake of Spotlight’s demise, “The Revenant” picked up steam by winning Best Actor, and shockingly, Best Picture and Best Director at the Golden Globes. This narrative was supported by it wildly over performing in Oscar nominations, receiving a leading 12. Pundits began to split both for “Spotlight” and “The Revenant.”

    room-2015-best-picture-oscarsThen, in what could be the biggest twist of the season, “The Big Short” won the Producer’s Guild Award, which tends to be the best indicator for the Oscars.

    So, who wins? I honestly don’t know. What I can say with some certainty is that “Brooklyn,” “The Martian,” and “Bridge of Spies” will not be the winner. However, a case could be made for “Room,” which I’ll discuss in a separate post.

    No matter who wins, some trend or record will be broken. If “The Revenant” wins, it would be the first time since “Million Dollar Baby” won in 2004 that the Best Picture winner was released in December. Also, it would be the first winner since “Braveheart” in 19— to not be nominated for the Best Ensemble at the SAG Awards.

    If “The Big Short” wins, it would be a rare comedy that wins, and one of the even fewer winner to win with only five total nominations. In addition, it was a December release.

    Lastly, “Spotlight” has not yet won a major precursor awards (Golden Globe or PGA). While it should win at the SAG awards, “The Big Short” could certainly upset. For its chances to stay alive, it needs to win Best Ensemble.

    So, back to my initial question. Who wins?

    I think that this is one of the few years that there isn’t a definitive answer. Even when it was “12 Years a Slave” vs. “Gravity” vs. “American Hustle” in 2014, it was still clear that “12 Years” was going to go away with the win.

    Because of its early frontrunner status and a win at the SAG awards, I think “Spotlight” is going to take the win. However, “The Big Short” is a very close second.

    Check out all our 2016 Oscar predictions here!

    *My “if I had an Oscar ballot” pick

    Rankings:
    1.Spotlight
    2. The Big Short
    3. The Revenant
    4. Mad Max: Fury Road*
    5. Room
    6. The Martian
    7. Bridge of Spies
    8. Brooklyn

    Should have been nominated: Ex Machina, Sicario, & Anamolisa

  • Femme Fatale Friday: Ivy Levan

    Femme Fatale Friday: Ivy Levan

    ivy-levan-biscuit_8085223-6649_1280x720A pinch of Lady Gaga. A dash of Christina Aguilera. A big helping of an even bigger voice. And, last but not least, a whole hell of a lot of style, spunk, and personality. And that, my friends, are the components of the pop princess Ivy Levan.

    Thanks to Amazon, I recently stumbled across the album “No Good” by Levan, and I certainly owe Amazon one because I freaking loved it. At first this album surprised me with its idiosyncratic, effervescent, pop melodies that immediately replaced the stores of information in my brain with only her catchy song lyrics.

    On top of this, I was even more surprised by some of the beautiful power ballads and softer songs on that album that go to show you just how versatile and talented Levan truly is.

    I’ll start with the first half of the album, which was packed with contagiously, catchy, unique, distinct songs
    that I immediately knew I loved. Songs like “The Dame Says,” “Biscuit,” “No Good,” and “Champagne Taste” are all great pop songs that make you want to party on a bud light budget.

    I am not sure what impresses me more about Levan. I mean, I certainly wasn’t expecting that voice from her or that I was going to love the album as much as I do. I love her style, her persona, and her gorgeous imagery in the videos. Sign me up for whatever comes after this album because I certainly need more from Levan!ivy-levan-killing-you-ft-sting_8612068-5430_1280x720

    On top of her infectious songs, she has a flamboyantly endearing artistic style to her that I love. Gorgeous, avante-garde, and a booming voice, Levan has created quite an impressive debut album. I will say the duets on the album are not my favorite, but it seems my only complaints on those songs are the singers she collaborates with. It is not that “Like a Glove” and “Killing You” are bad songs. I just think I love Levan’s style, voice, and persona so much that I feel like the introduction of featured artists on her tracks takes away from Levan. And I am incredibly selfish and want Levan all to myself on this album!

    Despite this, I absolutely love the second half of this album. We move away from the constant party that Levan crafts in this first half of the album and delve into something deeper.

    “27 Club” is one of my favorite songs from her album. Taking a macabre topic (the infamous deaths of many celebrities at the age of 27), Levan turns it into this gorgeous song that so seamlessly blends a dark subject with an entrancing, alluring melody that infects you.

    Screen Shot 2015Everybody’s gonna know me when I die,
    So I don’t give a damn if I survive.
    I’d rather burn out than spend my life waiting.

    Ah, on to the finale of the album so soon? Oh, time just flies! Color me impressed because I am absolutely obsessed with the two final songs to her album. “Johnny Boy” and “It Ain’t Easy” are everything that I need in the finale of an album.

    Slow, melodic, gorgeous, and emotional, these last two songs put the seal of approval on this album. “Johnny Boy” is a stunning song from her album that she so simply weaves with heavy lyrics that feel light as air.

    Now, “It Ain’t Easy” is the perfect closer for quite a few reasons. I
    mean, hello, it’s spectacular! On top of that, it is a slow, 1370620913_ivy-levan-hot-damn-2013-hd-1080_1enchanting build. She picks us up with each verse and, before we know it, she is soaring with her seductive arc and finale of a verse to close the album. You were wrong, Ivy. It is easy loving you!

    When I ordered this album, I was expecting some silly pop songs I could bob my head to. I did get some fun, funky songs that made me want to dance, but they were paired with a killer, emotionally charged second half of the album that left me shocked. No, I was not expecting such captivating slow songs from Levan, but I am damn glad that I found this fierce femme fatale.

     

     

     

  • 2016 Golden Globe Film Predictions: Complete List

    2016 Golden Globe Film Predictions: Complete List

    The Golden Globes are this Sunday, which kicks off the end of the awards season. See who will take home gold and who will go home empty handed with our Golden Globe Film Predictions!

    2015-07-30-09_46_02-spotlight-trailer-1-2015-mark-ruffalo-michael-keaton-movie-hd-youtubeBest Motion Picture – Drama

    Nominees:
    Carol
    Mad Max: Fury Road
    The Revenant
    Room
    Spotlight

    Will Win: Spotlight
    Could Win: The Revenant
    Should Win: Mad Max: Fury Road

    Spotlight has been the consistent frontrunner up to this point and has yet to show any sign of weakness. However, the Hollywood Foreign Press likes… well, foreign things. Alejandro Inurritu, who won last year for Birdman, could take it again with The Revenant. 

    Best Actress in a Motion Picture – Drama

    Nominees:
    Cate Blanchett, Carol
    Brie Larson, Room
    Rooney Mara, Carol
    Saoirse Ronan, Brooklyn
    Alicia Vikander, The Danish Girl

    Will Win: Brie Larson, Room
    Could Win: Saoirse Ronan, Brooklyn
    Should Win: Brie Larson, Room

    Brie Larson is an unproven frontrunner as of yet. The critics did not go for her. However, she is the Oscar frontrunner, which is often infallible when it comes to wins here. Don’t be surprised if any other one of the nominees takes it.

    dicaprio-xlargeBest Actor in a Motion Picture – Drama

    Nominees:
    Bryan Cranston, Trumbo
    Leonardo DiCaprio, The Revenant
    Michael Fassbender, Steve Jobs
    Eddie Redmayne, The Danish Girl
    Will Smith, Concussion

    Will Win: Leonardo DiCaprio, The Revenant
    Could Win: Bryan Cranston, Trumbo
    Should Win: Michael Fassbender, Steve Jobs

    Both Leonardo DiCaprio and Bryan Cranston have good track records at the Globes. However, with the former looking to finally win his first Oscar, the Globes are sure to try to be on the right side of history.

    Up Next: Comedy/Musical Categories