“Black Phone 2” channels “A Nightmare on Elm Street” as Ethan Hawke’s serial killer The Grabber comes back from the dead
Fans of the first movie will find the expansion of the boundaries of its world and the exploration of its characters’ wounds in “Black Phone 2” engaging. Is that enough nightmare fuel to hypnotize anyone else? Perhaps not. 
“Black Phone 2“ is in theaters now.
There is a cacophony of influences you can see in Scott Derrickson’s “Black Phone 2“, the follow-up to his surprise 2021 horror-thriller hit. The icy, snowstorm-plagued setting on the film harkens directly to Stanley Kubrick’s “The Shining” while the dream-world horror briefly explored in the first film is expanded to reference Freddy Krueger’s sleep-killing demonics in “A Nightmare on Elm Street“. There are shades of various camp slashers like “Friday the 13th“ and “Curtains” filtered through the lens of Stephen King’s visceral hauntings. And while all these references come together to create a film that is meaner, scarier and more effective than its predecessor, it also emphasizes the fact that it’s not as good as any of these stories.
Trading the quiet of suburbia for the eerie isolation of a winter sleepaway camp, “Black Phone 2” continues the story of siblings Finney (Mason Thames), the only survivor of serial killer The Grabber, and his clairvoyant sister Gwen (Madeleine McGraw). This time, however, the nightmare becomes an actual nightmare as the now dead Grabber (Ethan Hawke) turns his murderous sights to Gwen’s dreams that take place in a sort of spirit plane where he now resides. If it doesn’t make a whole lot of sense to you, take solace in the fact that the logic never fully adds up.
What is clear is how viscerally terrifying Gwen’s dreams are. Filmed in Super 16 film to create a moody dreamlike quality, the sequences feel like they give “Black Phone 2” a purpose. Haunted by both the souls of boys killed at the sleepaway camp and The Grabber himself, Gwen finds herself at war with the demon. However, those sequences lose their impact with time and the real world scares, mostly surrounding Finney and the eponymous black phone that saved him in the first movie, don’t give the same skin-crawling creeps.
“Black Phone 2“ doesn’t ever lose you during its robust 114-minute runtime. But it never blows you away either, except perhaps a dream battle that blurs the line between nightmare and reality. It comes close when Derrickson fully commits to his 80s-tinged homage to horror movies past, but it never truly adds up to something that feels like it has reason to exist.
If you liked the first movie, the expansion of the boundaries of its world and the exploration of its characters’ wounds will be engaging. Is that enough nightmare fuel to hypnotize anyone else? Perhaps not.
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Hey! I’m Karl. You can find me on Twitter and Letterboxd. I’m also a Tomatometer-approved critic.
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