Tag: J.K. Simmons

  • ‘Palm Springs’ will make you laugh, cry and repeat — Sundance review

    ‘Palm Springs’ will make you laugh, cry and repeat — Sundance review

    Palm Springs updates the time loop comedy as two wedding guests get stuck repeating the wedding day over and over again

    Quick review: Palm Springs finds new life in the Groundhog Day-inspired time loop movie by bending the formula and finding both laughs and heart in a romantic comedy story anchored by great lead performance by Andy Samberg and Christin Milioti.

    Where to watch Palm Springs: Streaming on Hulu.

    Chloé Zhao makes Nomadland‘s melancholic but hopeful story of nomads traversing the American West a stunningly complex character study of life on the margins of society.



    The time loop movie has been done countless times across multiple genres whether it’s sci-fi action Edge of Tomorrow, meta-horror Happy Death Day and, of course, the pioneering Bill Murray comedy Groundhog Day. It’s a genre in and of itself that seems like it couldn’t be made new again. However, director Max Barbakow finds something fresh with Palm Springs, his new sci-fi comedy produced by The Lonely Island (Andy Samberg, Akiva Schaffer and Dylan Sellers), that premiered at the 2020 Sundance Film Festival before being picked up by Neon and Hulu in a record-breaking $17 million distribution deal

    The movie opens to Nyles (Samberg) being awoken by his girlfriend Misty (Meredith Hagner), who is a bridesmaid in Tala (Camila Mendes) and Abe’s (Tyler Hochelin) wedding. He goes through the day with an airiness that could be perceived as arrogance at first — it’s Andy Samberg after all — that is eventually explained as prescient boredom. You see, Nyles has been through this day countless times. For all he knows, it could be millions. He knows what’s going to happen — and every version of what’s going to happen. 

    In this iteration of the day he saves Tala’s sister Sarah (Christin Milioti) from giving an embarrassing maid of honor speech that he’s seen her give numerous times by giving a speech of his own. That leads the two to hookup in the desert. However, they’re interrupted by something I’ll save for you to see on your own leading to a chase to a cave with a mysterious orange glow. 

    Sarah follows Nyles into the orange glow, despite all his efforts to stop her, leading her to become stuck in the same time loop as Nyles. This is the twist that makes Palm Springs feel fresh — two time loopers! That simple choice unlocks so many wonderful narrative moments from Sarah’s anger at Nyles for getting her stuck there, Nyles having to teach Sarah the rules of the world — it helps them avoid any clunky exposition, and the exploration of a relationship between two people literally stuck together by time and space.

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    And seeing the debauchery the pair gets into without fear of consequences is a blast. From doing mushrooms in the desert to staging a Die Hard-inspired scene during the wedding — complete with bad Russian accents, a bomb in the wedding cake, and a hook for a hand. However, this is a romantic comedy and spending that much time with someone, even if time isn’t moving forward, is bound to bond people together. 

    While Palm Springs is certainly a playful romp, it has an engrossing plot and complete character arcs that are made even more interesting by the time loop. Sarah is the black sheep of her family, a constant screw up, who commits an unforgivable screw up during the wedding. Nyles is dealing with the nihilism of someone with no future and is slowly forgetting the past. We also learn that Nyles accidentally got another wedding guest named Roy (J.K Simmons in a hilarious but poignant role) stuck in the loop too. For all its ridiculousness and trademark Lonely Island shenanigans, the movie has a strong beating heart.

    Milioti, who blew me away in the stage adaptation of Once before gaining recognition as the titular “mother” in How I Met Your Mother, finally gets the leading role she deserves and takes advantage of it. Her hilarious deadpan delivery makes gets nearly every line a laugh, however, it’s her irresistible charm that makes the character great. Samberg gives without question his greatest performance to date. His signature class clown persona is there — and, as always, he puts it to good use — however, he gets to flex his more dramatic character muscles here which results in a surprisingly heart-filled performance.

    As the Palm String trudges forward through multiple upbeat montages that takes time to slow down and spend real time with the characters, it’s apparent this is something special. Not only is it hilarious with rarely a minute without a joke, it never gets repetitive or boring. Which is a feat considering the entire plot is about a single day repeating over and over again. It’s not surprising this sold for such a large sum because this feels like a classic broad romantic comedy in the making. 

  • 'Klaus' is one festive mess of holiday cheer — Oscars spotlight review

    'Klaus' is one festive mess of holiday cheer — Oscars spotlight review

    When Smeerensburg’s new postman, Jesper, befriends toymaker Klaus, their gifts melt an age-old feud and deliver a sleigh full of holiday traditions.

    Quick review: Even with its stellar hand-drawn animation, a clunky story followed by questionable morals makes Klaus a lump of coal rather than the holiday treat it so desperately wants to be.

    Where to watch Klaus: Available to stream on Netflix.

    See the rest of Jane’s 2020 Oscar spotlight series here.

    I wanted to like this. Truly I did. I appreciate any director who really wants to showcase hand-drawn animation. Director Sergio Pablos highlights color, character design and action so much that you remember what CGI can miss and what hand-drawn animation can elevate. That’s the only positive aspect of Netflix’s new holiday film Klaus. It is a run-of-the-mill Santa origin story that offers nothing new and fails to be anything but uninspiring. 

    The story begins with a voiceover telling the audience that no one actually remembers where the myth of Santa comes from. That’s not the case as people clearly remember as this film is in a long line of better Santa Claus origin tales (Santa Claus is Comin’ to Town, The Santa Clause). The plot is about a spoiled, self-entitled brat named Jesper (Jason Schwartzman) who is sent to the Arctic Circle by his Father who owns The Postal Service? Sure. Jesper needs to make a quota of delivering mail or else be cut off from his family’s finances. Unfortunately for him, this town has two feuding clans who have come from a long line of hating each other and don’t have time to send letters.

    He finds a loophole in the form of an isolated Klaus (J.K. Simmons) who sends toys to children if they send him a letter. The two begin to forge a partnership and strangely the unlikeable postman begins to create all the traditions you love about Santa Klaus. To ask for more toys, the children seek the help of the local teacher in town, Alva (Rashida Jones in a thankless role) and begin to make their own destructive town a better place to be. This displeases both leaders of the town, Tammy Krum (Joan Cusack) and Mr. Ellingboe (Will Sasso) who then make an alliance to remove the yuletide distractions from their daily debauchery. Besides that, you get every cliche checked off in bland plotting. A throwaway love interest? Check. A dead wife to inspire your tragic backstory? You got it. A big reveal that shows what Jesper has been up to all along? You betcha.

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    That wouldn’t make Klaus bad just worn out territory (Seriously, did they just watch Santa Claus is Comin’ to Town and switch some things around?). Here’s what makes it bad: All throughout the film, the moral message is that doing good for others inspires others to be good. However, the film doesn’t really separate doing good for the sake of doing good versus doing good for your own gain. The children turn the town around but only because they were promised a reward. They never actually learn anything that inspired the heart of Christmas: selfless acts of generosity. 

    Oddly enough, the film points this out several times and makes you believe that there would be some payoff by the film’s conclusion, but we never dive deep enough beyond the shallow writing to see a believable change in the town. To some degree, Jesper changes but by the time he does, you’re already so sick of his presence that you wish the film spent more time with the Saami tribe and little girl Márgu (the only time the film actually inspires heartfelt emotion). 

    This begs the question: How? How does this film get nominated for an Oscar? My bet is that the voters had this on mute in the background during the holiday season and were impressed by the visuals. I love the character designs. Big broad Klaus against thin stick Jesper is a ton of fun to watch. The villagers’ designs (if heavily borrowed from film *cough* Santa Claus is Comin’ to Town) come in many diverse shapes, sizes and colors. It’s arguably the most creative part of the film. So if you are a lover of holiday films and animation, put this on. Just make sure the sound is off.

    Random thoughts ?

    • The voice acting of the film is more or less good although I never got lost in any of the performances. One exception is Joan Cusack who is a blast to listen to and gets the only chuckles I had in the film. 
    • It’s funny, for a film that seems to want to sugarcoat you with sentiment, I thought it was odd that the film didn’t focus on Jesper and his Dad’s relationship at all. 
    • Probability of winning an Oscar: Not likely. The Academy rarely gives out accolades to seasonal themed films and with the holidays just recently over, I don’t see them handing out an award to a Christmas film. However, this film is very popular (93% on Rotten Tomatoes!) with critics and audiences. So maybe it’s just the cynic in me that can’t get behind this film.
    Missing Link poster

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