Tag: Joan Cusack

  • 'Klaus' is one festive mess of holiday cheer — Oscars spotlight review

    'Klaus' is one festive mess of holiday cheer — Oscars spotlight review

    When Smeerensburg’s new postman, Jesper, befriends toymaker Klaus, their gifts melt an age-old feud and deliver a sleigh full of holiday traditions.

    Quick review: Even with its stellar hand-drawn animation, a clunky story followed by questionable morals makes Klaus a lump of coal rather than the holiday treat it so desperately wants to be.

    Where to watch Klaus: Available to stream on Netflix.

    See the rest of Jane’s 2020 Oscar spotlight series here.

    I wanted to like this. Truly I did. I appreciate any director who really wants to showcase hand-drawn animation. Director Sergio Pablos highlights color, character design and action so much that you remember what CGI can miss and what hand-drawn animation can elevate. That’s the only positive aspect of Netflix’s new holiday film Klaus. It is a run-of-the-mill Santa origin story that offers nothing new and fails to be anything but uninspiring. 

    The story begins with a voiceover telling the audience that no one actually remembers where the myth of Santa comes from. That’s not the case as people clearly remember as this film is in a long line of better Santa Claus origin tales (Santa Claus is Comin’ to Town, The Santa Clause). The plot is about a spoiled, self-entitled brat named Jesper (Jason Schwartzman) who is sent to the Arctic Circle by his Father who owns The Postal Service? Sure. Jesper needs to make a quota of delivering mail or else be cut off from his family’s finances. Unfortunately for him, this town has two feuding clans who have come from a long line of hating each other and don’t have time to send letters.

    He finds a loophole in the form of an isolated Klaus (J.K. Simmons) who sends toys to children if they send him a letter. The two begin to forge a partnership and strangely the unlikeable postman begins to create all the traditions you love about Santa Klaus. To ask for more toys, the children seek the help of the local teacher in town, Alva (Rashida Jones in a thankless role) and begin to make their own destructive town a better place to be. This displeases both leaders of the town, Tammy Krum (Joan Cusack) and Mr. Ellingboe (Will Sasso) who then make an alliance to remove the yuletide distractions from their daily debauchery. Besides that, you get every cliche checked off in bland plotting. A throwaway love interest? Check. A dead wife to inspire your tragic backstory? You got it. A big reveal that shows what Jesper has been up to all along? You betcha.

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    That wouldn’t make Klaus bad just worn out territory (Seriously, did they just watch Santa Claus is Comin’ to Town and switch some things around?). Here’s what makes it bad: All throughout the film, the moral message is that doing good for others inspires others to be good. However, the film doesn’t really separate doing good for the sake of doing good versus doing good for your own gain. The children turn the town around but only because they were promised a reward. They never actually learn anything that inspired the heart of Christmas: selfless acts of generosity. 

    Oddly enough, the film points this out several times and makes you believe that there would be some payoff by the film’s conclusion, but we never dive deep enough beyond the shallow writing to see a believable change in the town. To some degree, Jesper changes but by the time he does, you’re already so sick of his presence that you wish the film spent more time with the Saami tribe and little girl Márgu (the only time the film actually inspires heartfelt emotion). 

    This begs the question: How? How does this film get nominated for an Oscar? My bet is that the voters had this on mute in the background during the holiday season and were impressed by the visuals. I love the character designs. Big broad Klaus against thin stick Jesper is a ton of fun to watch. The villagers’ designs (if heavily borrowed from film *cough* Santa Claus is Comin’ to Town) come in many diverse shapes, sizes and colors. It’s arguably the most creative part of the film. So if you are a lover of holiday films and animation, put this on. Just make sure the sound is off.

    Random thoughts ?

    • The voice acting of the film is more or less good although I never got lost in any of the performances. One exception is Joan Cusack who is a blast to listen to and gets the only chuckles I had in the film. 
    • It’s funny, for a film that seems to want to sugarcoat you with sentiment, I thought it was odd that the film didn’t focus on Jesper and his Dad’s relationship at all. 
    • Probability of winning an Oscar: Not likely. The Academy rarely gives out accolades to seasonal themed films and with the holidays just recently over, I don’t see them handing out an award to a Christmas film. However, this film is very popular (93% on Rotten Tomatoes!) with critics and audiences. So maybe it’s just the cynic in me that can’t get behind this film.
    Missing Link poster

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  • ‘Toy Story 4’ is the sequel we never thought we needed but are happy to have — Oscars spotlight review

    ‘Toy Story 4’ is the sequel we never thought we needed but are happy to have — Oscars spotlight review

    Toy Story 4 follows Woody and friends journey to save a reluctant new toy called Forky where they learn how big the world can be for a toy

    Quick review: A sharply written story filled with new characters, tons of laughs and outstanding computer animation makes Toy Story 4 a joy to watch.

    Where to watch Toy Story 4:

    Buy or rent: Amazon Stream: DisneyPlus

    See the rest of Jane’s 2020 Oscar spotlight series here.

    Let’s get this out of the way. I’m not a big fan of Toy Story 3. I know that’s blasphemy for some but it’s true. The third film in the Toy Story franchise is beautifully animated and has great new characters (looking at you Ken), but it’s also unnecessarily dark and has a villain that feels just a shade or two away from Stinky Pete in Toy Story 2. However, it does succeed in having a strong conclusion to wrap up the supposed trilogy. We said goodbye to all our beloved toys as Andy leaves them in the hands of new toddler owner Bonnie. It’s a satisfying conclusion. So, what’s left to explore for Woody and the gang?

    Thankfully, Toy Story 4 has a new story to tell. The film opens up back in the days of Andy on one stormy evening where Sheriff Woody (Tom Hanks) has to say goodbye to his crush Bo Peep (Annie Potts) who is being given away to a new child. Bo Peep offers Woody a chance for them to be together but due to his prior duties to Andy, he cannot bring himself to leave his child. Fast forward to the present: Woody has to handle being a toy Bonnie doesn’t even want to play with.

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    Toy Story 4 poster

    He spends most of Bonnie’s play sessions in a closet while all his other friends enjoy bountiful amounts of playtime. It’s not something he’s dealt with before and in order to justify his need for her, he helps her create a new buddy out of a spork, Forky (a hilarious Tony Hale). Forky is still new to being a toy and doesn’t quite understand why he’s not allowed to be trash anymore. This proves to be a bigger challenge for Woody than previously anticipated when Forky runs away on a summer road trip. Woody, who entitles himself as Forky’s sole protector, goes after him and on the way meets some new and old friends. 

    If you’re wondering why I didn’t mention Buzz (Tim Allen), Jesse (Joan Cusack), or any of the other toys, that’s because they are not entirely relevant to the plot (and that’s a good thing). Toy Story 3 has so many characters and stories going on at the same time that it feels somewhat unfocused at times. Fortunately, for this film, we tend to focus mostly on Woody’s journey and figuring out where he belongs post-Andy. We’ve seen Woody deal with his insecurities of what will become of him with his time with Andy, now we get to see this come to fruition with Woody serving no meaningful existence in Bonnie’s life and having to question his purpose as a toy in general.

    If that feels heavy, don’t worry: the film is very light on its feet. It breezes through with great humor, new characters and exhilarating action scenes. The ending doesn’t feel contrived but earned. It offers the potential to finally conclude the Toy Story saga. However, if Pixar does decide to continue it, Toy Story 4 is a good reminder that sequels can be enjoyable if the people making them care as much about the characters as the audience does.

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