Categories: AwardsOscars

Can ‘Godzilla’ Reign Supreme at the Oscars?

Summer blockbusters rarely make a huge impression at the . Usually it's a Visual Effects nomination, or something for sound, but even those are saved for more Oscar friendly movies. For example, The Avengers became the 3rd highest grossing film last year, however at the they were delegated a single nomination for Best Visual Effects. Now, we weren't expecting a Best Picture nomination, but the lack of tech nominations was a little shocking.

Another summer movie Pacific Rim was expected to reap at least 3 nominations, but ended up being completely snubbed. The question is why? These films had the buzz and the acclaim. The Avengers achieved a 92% on Rotten Tomatoes, while Pacific Rim received a 72%. However, it seems that there is a certain bias against big budget sci-fi and fantasy movies in the Academy, although Gravity did perfectly fine.

What makes Godzilla unique is its position as one of the best summer blockbusters in years, as some critics put it. It's also a clear technical achievement, but it may suffer the same fate as Pacific Rim and The Avengers because it doesn't look like everything else nominated. Many critics complemented the human drama involved, but in the end it is a clear monster movie. While it may receive a Visual Effects nomination, the sound categories, film editing, cinematography, and production design seem out of the question.

The one time we've seen a sort of monster movie succeed at the Oscars is in 2005 with King Kong. It was nominated for Visual Effects, Sound Mixing, Sound Editing, and Production Design, winning all but the last. Could the more unconventional Godzilla achieve this? Maybe. Only time will tell.

At this early stage we could very well see Godzilla do well in the technical fields, but if any clear alternatives emerge, such as Christopher Nolan's Interstellar, then the chances for it to receive more than a Visual Effects nomination become more slim.

 

 

Karl Delossantos

Hey, I'm Karl, founder and film critic at Smash Cut. I started Smash Cut in 2014 to share my love of movies and give a perspective I haven't yet seen represented. I'm also an editor at The New York Times, a Rotten Tomatoes-approved critic, and a member of the Online Film Critics Society.

Leave a Comment
Published by
Karl Delossantos

Recent Posts

Romantic sci-fi thriller ‘The Gorge’ hits its mark | movie reivew

Two snipers tasked with guarding the mysterious of an inexplicable gorge find themselves following in… Read More

1 week ago

A Love Note to Fire of Love

Fire of Love is not just a documentary. It's a love story. Love Notes is… Read More

1 week ago

‘Love Hurts’ is mostly hurt | movie review

Love Hurts follows assassin-turned-realtor is pulled back into his old world of crime when his… Read More

2 weeks ago

‘Wicked’ defies expectations, a fearless movie-musical | movie review

Wicked, the long-awaited adaptation of the smash Broadway musical, finally flies its way into theaters… Read More

3 months ago

<em>No Other Land</em> is the most important documentary of our time | movie review

No Other Land follows a Palestinian activist as he documents the destruction of his community… Read More

5 months ago

‘Queer’ is messy, mad and marvelous | review and analysis

Based on William S. Burroughs novel of the same name, Queer follows an American expat's… Read More

5 months ago