Nicolas Cage in Dream Scenario. Courtesy of TIFF.
Dream Scenario is exactly how Nicolas Cage should be spending his career: on bonkers wild swings like a comedic version of A Nightmare on Elm Street where Freddie is a normal average guy and his weapon is doing nothing. Hilarious, relevant and wonderfully weird, it is a reflection of the internet age, cancel culture and quickly our dreams for fame can turn into a nightmare.
Dream Scenario premiered at the 2023 Toronto International Film Festival. A24 is distributing. Watch the trailer here.
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Dream Scenario is like A Nightmare on Elm Street if dream demon Freddie Krueger was a boring average middle-aged man and instead of knives for hands his weapon was doing absolutely nothing. That’s the new high concept Norwegian director Kristoffer Borgli explores with his follow-up to his breakout film Sick of Myself, which satirically skewered social media influencer culture. He once again sets his sights on the vanity (and memeification) of the internet age with a simple conceit: what would happen if one guy started appearing in everyone’s dreams? And I mean everyone.
That guy is woefully unremarkable zoology professor Paul Matthews. His particular brand of awkward schlubby-ness that borders on creepiness could only be achieved by Nicolas Cage. During lunch with a former university classmate, where he attempts to get co-credit for an idea that is publishing a book, she asks, “Well how far along are you?” He retorts, “It’s just in the idea stage.” That’s how Paul’s life has been defined so far. What he’s not done. However, he’ll quickly find that “doing” might also be a nightmare.
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The following day, Paul starts to have weird encounters — his students whispering about him during class, a waitress having intense deja vu when he walks in, and an old flame mentioning he was in her dream the other night. While these all seem like coincidences, he starts to discover that he’s been in many people’s dreams… perhaps everyone’s. He finds his Facebook messages flooded with people telling him that he invaded their dreams. What was he doing in them? Absolutely nothing. As he hilariously fields questions from his students about their Paul dreams, they all have different conceits — running from a monster, trapped by alligators, an earthquake. What they have in common is Paul does nothing. He just stares or casually walks by. His aggressively normal demeanor — “that middle-aged bald guy with glasses” — is a hilarious juxtaposition to that absurd dream logic.
The movie’s plot and imagery evokes comparisons to Charlie Kaufman’s Eternal Sunshine of the Spotless Mind and I’m Thinking of Ending Things or David Lynch’s Twin Peaks: Fire Walk With Me. The pitch-black humor that Borgli achieves is so satisfying, especially when delivered by a self-aware tactician like Cage. Paul is woefully uninteresting in a way that only Cage, with his self-aware campy mannerisms and deadpan delivery, can make endearing. But Paul isn’t necessarily a hero, even if we are in some ways rooting for him and his overnight fame.
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Like any person suddenly thrust into the spotlight, Paul strives to take advantage of his newfound fame to get momentum on his book on ant intelligence that he’s dubbed “ant-elligence.” When he’s courted by a creative agency (headed up by Michael Cera in a cheeky cameo) to manage his new public persona they pitch him on deals ranging from Sprite — “we’ll get everyone to dream of you with a Sprite” — to Obama — “one idea was to have Obama dream about you.” His meteoric rise feels akin to the sudden internet stardom that so many people achieve for doing essentially the bare minimum or in some cases absolutely nothing — memes like “Alex from Target” or “Saltbae” come to mind. It’s clearly Borgli’s intention considering what’s next.
Suddenly, things take a turn for the worse and Dream Scenario takes a turn for the better (and the spooky). Instead of the benign creep standing idle while terrible nightmarish things happen to the dreamer, Paul becomes the nightmare. Much like Freddie Krueger in A Nightmare on Elm Street, Paul slashes, stabs and bludgeons his way through his hapless victims. The biggest difference is Paul is a person in the real world having to face the consequences of his actions (or lack thereof). From there, the movie turns into a send-up on cancel culture complete with insincere tear-ridden apologies, a hate-fueled internet mob, and, of course, a sorta-kinda-not-really redemption.
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Like Borgli’s breakout film Sick of Myself, Dream Scenario loses some of the (nightmare) fuel that drives it for much of its runtime. He creates this wonderfully off-kilter world with such ease and crafts an entertaining story to go along with it, but he’s not necessarily interested in taking things a step further. The movie is a reflection of our world rather than a critique of it and the satire is maybe better defined as parody — like a comedy sketch turned into a feature-length film. Despite that, and an odd third act turn that perhaps jumps the shark, you never fall out of the trance it puts you in.
Even if it is driven by observation more than commentary — one hilarious turn after Paul’s cancellation is the alt-right and France standing as his last supporters — Dream Scenario is a satisfying excercise in the absurd that blessedly doesn’t feel self-important about what its chiding. It’s what I loved (and other’s despised) about The Menu. Like a dream you might forget the exact details of it but you wake up knowing the emotions you felt — and Dream Scenario will run you through the gamut.
Hey! I’m Karl. You can find me on Twitter here. I’m also a Tomatometer-approved critic.
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