Album Review: Adult Jazz, “Gist Is”

Debut albums are tricky things to assess. An artist’s first full-length is not a reliable litmus test for how their career will pan out, or in some cases, their artistic validity. But it’s the unique blend of hype and mystery that always makes debuts exciting to listen to. That lack of history combined with the…
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Emmy Spotlight: Veep

If at any point this essay devolves into just a running list of one-liners, I apologize. But with a show as consistently, uproariously funny as Veep, it’s nigh impossible to resist the urge to simply revel in the wonderful blue humor of Armando Ianucci’s vulgarity-ridden zingers. In the hands of the talented ensemble that fills…
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Emmy Spotlight: True Detective

Can you believe that we’re far enough past True Detective’s finale to have already arrived at the True Detective backlash? Neither can I, but here we are nonetheless. In the words of the ever-quotable Gawker Media, Nic Pizzolatto is a schmuck, and he probably also hates women? Pizzolatto mostly disregards that criticism, and mostly he…
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Movie Review: The Giver

I first read Lois Lowry’s The Giver in eighth grade, at which time the YA classic was already ten years old. I have not read it since, and I purposely did not re-read it in advance of watching Philip Noyce’s film adaptation for this review. That said, the book had on me, like it did…
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Emmy Spotlight: Silicon Valley

For people of a certain generation, the works of Mike Judge in general, and the film Office Space in particular, are something of a cultural milestone. In fact, Office Space has defined for me (and likely for you, too) my entire approach to corporate culture, and also the restaurant business, and frankly just what it…
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