Rebecca Hall appears in The Night House by David Bruckner, an official selection of the Midnight program at the 2020 Sundance Film Festival. Courtesy of Sundance Institute | photo by Elisha Christian.rrAll photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and/or 'Courtesy of Sundance Institute.' Unauthorized use, alteration, reproduction or sale of logos and/or photos is strictly prohibited.
The scares in The Night House come hard and fast, aided by director David Bruckner’s masterful grasp of a dread-filled atmosphere.
See all our reviews from the 2020 Sundance Film Festival here.
What does a house feel like when one of its inhabitants is gone? It feels empty. Incomplete. Cold. That’s the feeling that director David Bruckner’s new film The Night House, which premiered as part of the Midnight section of the 2020 Sundance Film Festival, gives off at the start as Beth (Rebecca Hall), a high school teacher, copes with the suicide of her husband Owen (Evan Jonigkeit). As she strolls through their lakeside home, built and designed by Owen, you can feel the vacant space. It probably doesn’t help that the home is filled with large windows opening into the darkness of the woods and lake. However, eventually, like Bruckner’s last film The Ritual, that feeling eventually gives way to a pervasive dread.
Owen’s suicide came as a surprise to many, but no one more than Beth. For her, Owen was her rock helping her through depression. Now that he’s gone she begins to self-destruct by drinking too much and pushing those close to her away including her friend and coworker Claire (Sarah Goldberg) and neighbor Mel (Vondie Curtis Hall). She, like many others who lose a loved one to suicide, feels confused and, more intensely, abandoned.
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However, she’s not alone. One night she hears a heavy knocking at the door — this is where living in an all-glass house isn’t ideal. Then, the basement lights flip on. The next morning she’s not sure if it was real or a dream. Another night, she’s awoken by the stereo blaring her wedding song, startling the silent house. As the haunt becomes more intense with white-knuckling tension and well-earned effective jump scares, Beth starts to suspect her husband may have had secrets — dark secrets.
The screenplay, written by Ben Collins and Luke Piotrowski, begins to twist itself into a mystery that sometimes gets overly complicated for its own good — much like their last effort Super Dark Times. As Beth digs deeper she finds that her husband has books on the occult and photos of women that look like her on his computer. The mystery throws Beth into turmoil amidst the haunt. Rebecca Hall’s performance ranks among her best as she balances raw guttural emotions with Beth’s indignance. And while the story threatens to throw the movie off its rails, Bruckner’s strong grip on the mood and atmosphere keeps it on the rails — or keep it from sinking, rather.
When the movie finally shows its cards it’s generally satisfying. Without Bruckner’s presentation, I’m not sure how successful it would have been. Still, The Night House is a genuinely terrifying and haunting romp that will have you watching it through your fingers. The scares come so hard and fast and nearly every element is designed to scare you — from the smart production design to the smart, albeit loud, sound design. The entire movie is a maze that you feel trapped in, and that’s why horror fans will love it.
Hey! I’m Karl. You can find me on Twitter here. I’m also a Tomatometer-approved critic.
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