‘EO’ and the donkey that enchanted Cannes | movie review
Eo follows life through the eyes of the eponymous donkey as he experiences life and conflict in the human world Continue reading ‘EO’ and the donkey that enchanted Cannes | movie review
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Eo follows life through the eyes of the eponymous donkey as he experiences life and conflict in the human world Continue reading ‘EO’ and the donkey that enchanted Cannes | movie review
Firebird tells the true story of a hidden romance between a private in the Cold War-era Soviet military and a star fighter pilot Continue reading Cold War gay romance ‘Firebird’ lacks spark | movie review
Crush follows an awkward queer high schooler as she tries clear her name as the school vandal while navigating a new crush Continue reading ‘Crush’ is a typical high school rom-com — and that’s a good thing | movie review
Years after witnessing his father’s murder, a Viking prince goes on a rampage across Scandinavia to avenge his death and save his mother. Continue reading ‘The Northman’ goes south | movie review
X follows a young group of aspiring filmmakers who travel to an isolated farm to film a porn. It doesn’t go well. Continue reading ‘X’ is a Texas Boogie Nights Massacre | movie review
Accusations fly between a group of friends after a stormy game night turns deadly in Bodies Bodies Bodies. Continue reading ‘Bodies Bodies Bodies’ is a bloody game of Among Us | SXSW review
In Everything Everywhere All At Once, an unremarkable Chinese-American woman finds out that the fate of the multiverse lies in her hands. Continue reading A movie like ‘Everything Everywhere All At Once’ has never existed before | SXSW review
When Jessica’s stalker follows her to New Mexico, she and her friend Elena look for an otherworldy solution to get rid of him Continue reading ‘Jethica’ is a charming little ghost story | SXSW review
An estranged father tries to reconnect with his son by catfishing him on Facebook in I Love My Dad, premiering at SXSW Continue reading Patton Oswalt is Oscar-worthy in ‘I Love My Dad’ | SXSW review